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Alessandro Sartori definitely doesn't xxx 2021 bend to trends. While artistic directors and vogue designers the world around have confronted pandemic and political turmoil with the mottled glory of technicolor experimentation, asymmetric deconstructed designs, and interactive installations, Sartori presents an alternate vision, clad in uniform certainty, searching for to dissolve the firewall between personal and public in his newest seasonal providing: Ermenegildo Zegna XXX Fall/Winter 2021.
The Italian fashion house’s latest collection arrives digitally in video format-many manufacturers are opting to point out this way in the socially-distant age-by which modernist architectural perfection cascades graphically unto itself with Christopher Nolan-like cinematic edge. Emerging from the glassy skyscrapers and angular avenue walkways (the movie was shot principally on the brand’s sprawling campus), fashions saunter by city mazes unperturbed by overhead surveillance cameras or even the confines of our current situation.
Branded because the (Re)set, the most recent assortment blends Zegna’s heritage of tailoring and high-quality materials with a steadfast attitude in a precarious world. For Sartori, clothing is no longer about compartmentalizing id-“In the gathering shapes are fluid, comfy, and adaptable. The coziness of jersey and cashmere garments reshape the very idea of formality as the gathering pieces get new and unreleased features,” Sartori says. The new sartorial path balances luxurious with loungewear (“Chore coats in cashmere” are “wrapped as a robe” reads the brand’s accompanying present assertion).
“We all are experiencing a brand new reality that is worried with new needs. This led us to a beforehand unseen type of life-style and attitudes.” Sartori commented., “At Zegna, we translated the change with the word (Re)set to (Re)tailor the fashionable man.”
The video is spectacular in its ambition and production. “I determined to current the gathering in the form of a vogue film, with a real script that we wrote beginning from the gathering: a visible narrative full of wonders from one situation to the opposite,” Sartori continues. “Shot in Milan, in inside and external set, the film follows a seamless pace, where indoor and out of doors collide, like our life at present.”
In one scene, a lithe mannequin breaks the fourth wall, solely to brandish and don a pair of sporty sunglasses just as he prepares to satisfy the viewer’s gaze. Thus, an additional entanglement of the general public and the private is woven into Zegna’s new philosophical fabric: the trend is built for each comfort and protection. Because the model passes through a sequence of rooms-a dwelling room, a discotheque, a dimly-lit area with a commodious couch into which a mannequin plops right down to learn the Zegna Daily-it turns into apparent they're all related in a massive dollhouse-like set. The lights dim, revealing one room in which Sartori himself is slumped right into a loveseat reading the brand’s eponymous newspaper. https://x-x-x.tube/ When the lights return, the fashions having left their numerous habitats-clad of their earth tone shawls and robes-manage in concert, opening the Zegna Daily, to reveal the paper’s headline, which reads: The (Re)set.